![]() ![]() Saudade, the Portuguese word for a bittersweet longing, could count as a vibe. Many vibes don’t have specific names, but some do. It’s an intuition with no obvious explanation (“just a vibe I get”). It’s the reason that you like or dislike something or someone (good vibes vs. It’s a placeholder for an abstract quality that you can’t pin down-an ambience (“a laid-back vibe”). We know the meaning of the word “vibe,” of course. So is slaloming down the road on a skateboard to Fleetwood Mac’s “Dreams” while swigging cranberry juice, as Nathan Apodaca did in a now famous TikTok. Casually cooking a meal in a swaying sailboat on the open Atlantic Ocean is a vibe. ![]() Where others might get meme dances or practical jokes, I only see chill vibes. These brief flashes of seemingly normal life, compressed into short videos, are among TikTok’s bread-and-butter genres, and they have taken over my algorithmically curated feed on the app. ![]() “I love the vibes at night here,” the caption of yet another TikTok montage read: a dim apartment lit by a pink neon sign that says “Where Love Lives,” a wandering Shiba Inu, an orb lamp on top of a Picasso art book, a wall-mounted flat-screen playing the popular ambient-music YouTube channel “lofi hip hop radio - beats to relax/study to.” If I had to pinpoint it, I’d say that the video’s vibe was chill Gen-Z good taste, the world of a teen-ager whose parents have given up on curfews and screen-time restrictions: midnight-basement-desktop-computer vibes. Altogether, they evoked a mood of calm, enlightened, prettified productivity. In another clip, a woman demonstrated her morning routine, with shots of rumpled linen bedsheets, navy-blue satin pajamas, and a steaming mug of matcha, along with brief glimpses of other objects: a monstera plant, a burning chunk of palo santo, a busy street outside. On an upper floor, beside huge windows shrouded in fog, a man was floating on his back in a gleaming pool, to the soundtrack of the plaintive Frank Ocean song “White Ferrari.” The ten-second video was hashtagged #vibin. We invited the creative couple to a virtual meeting so that they could tell us more about the process, and the reflection, that led to the album Disruption.Deep into the thoughtless hypnotism of TikTok one afternoon, I came upon an anonymous urban scene from inside a residential tower in Manchester, England. If the subject this time is more focused on introspection and the search for meaning and empathy than on cynical social criticism, some songs are witness the evolution of the group’s musical signature along some surprising avenues. And if Vulgaires Machins is, first and foremost, a vehicle to share the lucid vision of its two songwriters, Guillaume Beauregard and Marie-Ève Roy, it’s she who’s driving that vehicle by getting more involved than ever in the writing and interpretation of their songs. On Disruption, the band’s eighth album, the quartet demonstrates that it’s possible to evolve and re-invent yourself musically, in order to avoid repeating what you’ve done before, but ultimately remain relevant to your era. SOCAN warmly congratulates all the winners on these great achievements!Īfter 12 years of silence, crucial Québec punk band Vulgaires Machins is back with its signature protest songs, full of heady choruses and joyous riffs. Here is the full list of the winners of the 2022 Teweikan Gala: Among the highlights of the Gala were the tributes paid to the teueikan (drum) players and to the women who have contributed to the preservation of Indigenous languages and culture. Many of the nominated artists in the various categories performed, and showcased the creativity and musical excellence of the First Nations of Québec and Labrador and the Inuit of Nunavik. Vollant’s children accepted the award in his name. Picard walked away with the honours in the Indigenous Language, Blues/Rock, and Best Album categories, while Niquay was victorious in those for Folk, Best Female or Male Singer, and Jury Award.Ībsent for health reasons, singer-songwriter Florent Vollant (formerly of Kashtin) was celebrated with the Tribute and Recognition Award, given to an artist who’s left their mark and advanced the cause of the First Nations. Uashat mak Mani-utenam singer Scott-Pien Picard and Atikamekw artist Laura Niquay won the most statuettes, with three each. Innu artists shone brightly during the evening, and won in seven of the gala’s 11 categories. This fourth edition of the Gala was held in Sept-Îles and, as usual, its mission was to highlight the musical talent of the First Nations and Inuit of Québec and Labrador. 7, 2022, Québec’s North Coast hosted, for the first time, the Teweikan Indigenous Music Gala, organized by the Société de communication Atikamekw Montagnais (SOCAM). ![]()
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